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The Gist: The fourth studio album from Puscifer sees the enigmatic vocalist Maynard James Keenan (Tool, A Perfect Circle) joined once more by core members Mat Mitchell (guitar/production) and Carina Round (vocals/songwriting), among others. Jon HadusekĮssential Tracks: “Rzeczom” and “Ja nie stąd” Odraza have created something that can easily appeal to fans of black metal (classic or modern), prog, and avant heavy music in general. There’s a lot to discover here, making multiple listens rewarding. The classic blast beat/tremolo picking serves as the basis for a variety of experiments as intense, extreme metal is juxtaposed against radio-ready segments, such as the nod-worthy break in “Ja nie stąd” and prog-jazz freak-outs - all in a measured hi-fi recording that’s mixed to emphasize the instrumental interplay. Why It Rules: No matter what Odraza incorporate into their black metal assault, it’s executed flawlessly. As Odraza illustrate with the excellent Rzeczom, even a traditionalist black metal template, if given some leeway, can hold plenty of surprises and still appease the purists. Ironically, for a genre formed on the intolerance of a “true” sound and attitude - as dictated by Euronymous of Mayhem in the early days of the Norwegian circle - black metal has become arguably the most experimentally inclined styles of heavy metal. The genre has come so very far, endlessly branching into sub-categories of its own - a concept that appears to fascinate Odraza. The Gist: Polish duo Odraza explore the many post-modern pockets of black metal on Rzeczom. Jon HadusekĮssential Tracks: “Ancestral Recall” and “The Valley” The raspy howls of Thou trading off with Rundle’s world-class clean singing equally recall Nirvana and a more subdued Evanescence. The artists cited grunge and post-grunge as key influences on the project, and it might be the closest identifier for what they achieved. The former’s recent solo material has hinted at more metallic directions, and the Louisiana sludge vets of Thou help to complete the transformation.
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May Our Chambers Be Full is the bridge between Rundle’s dark folk and Thou’s crushing harshness. Why It Rules: “Melodic sludge metal” might sound like a misnomer, but Emma Ruth Rundle and Thou accomplish the seemingly impossible. The contrast creates an intriguing dissonance that unfurls into a heavy metal grandeur as Rundle’s voice soars over a bed of apocalyptic doom. Thou provided the backing of heavy, plodding riffage while Rundle provided vocals and her own distinct guitar playing. The Gist: Singer-songwriter Emma Ruth Rundle and underground sludge purveyors Thou fused their disparate talents for this collaborative LP. Origin: Louisville, Kentucky, and Baton Rouge, Louisiana Emma Ruth Rundle & Thou – May Our Chambers Be Full Jon HadusekĮssential Tracks: “Crack of Doom”, “Bråtebrann”, and “Fanden ta dette hull!”Ģ9. Kvelertak prove once again their mastery of combining extreme metal aesthetics with the musical structures of punk rock. It’s catchier and more fun than its predecessor, packed with riffs and striking vocal performances from Nikolaisen. Where a general songwriting malaise and level of comfort brought down Nattesferd, the band sound rejuvenated and inspired on Splid. Why It Rules: After four years of relative silence, Kvelertak roared back. The band would pursue that goal with its fourth full-length, Splid - its debut on new label home Rise Records. “We felt like we still hadn’t made our best album,” guitarist Vidar Landa said. The Norwegian “black ‘n roll” band found new life with Nikolaisen following the departure of Erlend Hjelvik after 2016’s Nattesferd.
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The Gist: Splid is the first Kvelertak studio album to feature singer Ivar Nikolaisen, who took over frontman duties in 2018. Additionally, a portion of all proceeds are being donated to MusiCares’ COVID-19 Artist Relief Fund supporting independent musicians. Editor’s Note: If you enjoy this list and our other content, consider supporting Consequence of Sound by purchasing an item at our web store.